When comparing a film like Nick Szostakiwskyj’s Archons to its bigger-budgeted counterparts, it may be easy to focus on loose narrative threads as grounds for dismissal. But learn to look beyond the surface, and what we see is a film brimming with enough ideas to make even its shortcomings a compelling exercise in cosmic horror.
Archons is the second feature film from Canadian filmmaker Szostakiwskyj. When taken alongside his first feature, Black Mountain Side, an image of Szostakiwskyj as a storyteller begins to swim into focus.
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